ISSN: 2310-8290
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dc.contributor.author | Osadcha, Larysa![]() |
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dc.date.accessioned | 2025-06-05T13:52:42Z | |
dc.date.available | 2025-06-05T13:52:42Z | |
dc.date.issued | 2024 | |
dc.identifier.citation | Osadcha, L. Transformation of the image of Taras Shevchenko during the period of defense of Ukraine 2014–2024: on the example of street art works / L. Osadcha // Мiждисциплiнарнi дослiдження складних систем = Interdisciplinary Studies of Complex Systems : [збiрник наукових праць]. – Київ : Вид-во УДУ iмені Михайла Драгоманова, 2024. – № 25. – С. 171–183. | uk |
dc.identifier.uri | http://enpuir.npu.edu.ua/handle/123456789/48464 | |
dc.description.abstract | During 2014–2024, Ukrainian society faced the existential challenges of preserving its unity, sovereignty and national identity. Against the background of current threats, there was a question about the future of the Ukrainian state, as well as about the lessons of the past. Therefore, figures of creators of the Ukrainian nation with a strong historical background, including politicians Mykhailo Hrushevskyi, Pavlo Skoropadskyi, as well as cultural figures Ivan Mykolaichuk, Ivan Franko, Hryhorii Skovoroda, Taras Shevchenko, have been returned to the space of public visual communication. The figure of Taras Shevchenko occupies a unique position in this context because starting from the period of protests on the Maidan through the Revolution of Dignity and up to the mobilization campaign that unfolded after the full-scale invasion began his image has always been in the spotlight, undergoing recontextualization and modernization. Shevchenko became a symbol of Ukrainian resistance in general, and not only of the state of national culture of the 19th century – the era in which he lived. Shevchenko became a timeless cultural symbol, so his semiotic recontextualization takes place without losing the valuable meaning of his figure for Ukrainian culture. This is the reason the image of Shevchenko appeared and became inseparable in the context of the Ukrainian resistance of 2014-2024. No other cultural figure was subject to such recontextualization but remained an expression of their era. The second feature of the use of Shevchenko’s image in the visual space during the period of war challenges is the coexistence of “formal” and “grotesque” (or “political” and “poetic”) pictorial and semantic strategies. Under peaceful conditions, they are usually antagonistic, however, while Ukrainian resistance is going on, those visual strategies of use Shevchenko’s image become complementary and mutually reinforcing, affecting the re-actualization of Ukrainian national identity milestones. | uk |
dc.language.iso | en | uk |
dc.publisher | Вид-во УДУ імені Михайла Драгоманова | uk |
dc.subject | Ukrainian visual culture | uk |
dc.subject | political and poetic visual strategies | uk |
dc.subject | cultural archetypes | uk |
dc.subject | recontextualization of Taras Shevchenko image in modern culture | uk |
dc.subject | culture of resistance | uk |
dc.title | Transformation of the image of Taras Shevchenko during the period of defense of Ukraine 2014–2024: on the example of street art works | uk |
dc.type | Article | uk |
dc.identifier.udc | 930.85[477]:929+766 | |
dc.identifier.doi | https://doi.org/10.31392/iscs.2024.25.171 |